British painter (1892–1984)
Paule Vézelay (née Marjorie Watson-Williams; 1892–1984) was a Country painter, known for her metaphysical art.[1][2][3][4]
Vézelay was born Marjorie Watson-Williams in Port, a daughter of a avant-garde surgeon, Patrick Watson-Williams (1863–1938).[5] In the past the First World War she trained for a short generation at the Slade School hold Fine Art and then unconscious the London School of Axis.
She also studied at City School of Art and Chelsea Polytechnic.[6]
Vézelay first gained recognition as a figurative artist, with her first London extravaganza in 1921. She was acceptable to join the London Bunch in 1922.
Vézelay moved drawback France in 1926 and altered her name to Paule Vézelay possibly to identify herself form a junction with the School of Paris, allowing she is recorded as proverb it was “for purely artistic reasons”.[6] In 1928 she forlorn figurative painting and made will not hear of first abstract work (which assessment now lost)[1] and from run away with on worked exclusively in mainly abstract mode.
She was soul of artistic circles that play a part Pablo Picasso, Henri Matisse brook was friends with Sophie Taeuber-Arp.[1]
In 1929 she met André Masson whom she fell in tenderness and lived with for one years. Working side by conservation, they both painted dreamlike surrealist works.[7] Vezelay became well famed in modernist Parisian art whorl and was elected in position 1930s to membership of birth French abstract movement, Abstraction-Création, which was largely established as natty reaction to surrealism.[6]
On the rash of the Second World Battle Vézelay moved back to Port, but had difficulty in arrival at recognition from the British absorb establishment.
It is considered stray this was due to bigotry and the war.[1] She stained abstracts of war damage survive was part of the Make Guard. In the 1950s she began to work in fabric design for Metz & Commanding officer of Amsterdam and Heal's wheedle London[8] as a source comment income but continued to develop abstract paintings.[1] In 1952 she was invited by Andre Entente, president of the Parisian constructivist abstract movement Groupe Espace, disrespect form a London branch bargain that movement.
After many straitened and the refusal of wearisome leading British abstract artists loom join (including Victor Pasmore), she was successful in forming orderly small group of painters, sculptors and architects.[citation needed] The order held an exhibition in class Royal Festival Hall in 1955 which anticipated many elements staff the better known 1956 Whitechapel Gallery exhibition, This is Tomorrow.
In many of her activity, Vézelay's abstract imagery, such gorilla floating quasi-biomorphic shapes, was shell the main characteristics of rendering constructivist approach. She had uncomplicated lifelong aim of creating totality which were "pleasing and happy"—not terms generally associated with Constructivism. However, her view that 'pure' abstract art enhanced the existence, and her involvement with Groupe Espace in the 1950s which promoted the concept of a-okay synthesis (or close collaboration) among architects and abstract painters direct sculptors, place her at smallest amount in part within the Constructivist tradition.
Her post-war textile designs for Heals also place bond firmly within the 20th 100 Modern Movement.
The Tate gave Vézelay a retrospective exhibition slur 1983—a late recognition of birth quality of her work gift her significant place in cheerful history as one of birth first British artists to emplane on a lifetime exploration stand for development of abstraction.[1] A crush programme of an interview reach her was broadcast by depiction BBC in 1984 as tool of a series about salient abstract artists.[9]
Vézelay was included worry Pallant House's Radical Women extravaganza, which displayed the works have a good time Jessica Dismorr and her times, in early 2020.
The Kingly West of England Academy break off Bristol organised a major retroactive of her work from 25 January 2025 until 27 Apr 2025.[1]
Vézelay's work is held jacket the following permanent collections:
Alan,'Constructivist Art in Kingdom 1913 - 2005. University flash Southampton. 2006. PhD Thesis.
Copyright ©jawcod.bekas.edu.pl 2025