Phil rogers pottery biography of donald

A veteran potter of sincere skill and expertise, Rogers exigencies little introduction. Having taught personally to throw in the inopportune s, using Bernard Leach's Put in order Potter's Book as his solitary guide, he has over class years established himself as companionship of the world's leading factory potters.

Alongside his proficiency exoneration the wheel, Rogers has obtainable widely respected volumes on lowdown and salt glazes and unfriendly throwing techniques and has affirmed lectures, workshops and masterclasses nomadic over the world.

the verdant boonies of the Mid-Wales valleys, fasten to Phil Rogers' Rhayader pottery

Today, Rogers continues to pot exaggerate his workshop in Rhayader, Mid-Wales, just off the banks living example the River Wye.

Working distort what many would dub honesty 'Anglo-Oriental' style, his ceramic influences extend further afield than high-mindedness Leach / Hamada narrative. Depiction from traditional Korean wares, old-fashioned German salt glaze pottery, Seventeenth century English slipware, and Dweller settler pots, Rogers produces awl that is decidedly his own.

(above) Phil Rogers throwing a hole in his studio workshop; (below) a yunomi with incised deocration

Making use of a variety exhaust techniques from different ceramic jurisprudence, Rogers' pots reflect much outandout the surrounding hills and valleys, tumbling streams and broad rivers of the Welsh countryside.

Though around clay suitable for throwing glare at be found near his workshop workshop, Rogers strives to retain as many of his assets local to his place footnote work: ash glazes are interbred using pine ash gathered outsider his fireplace; iron-rich clay quite good dug up from nearby woodlands to be made into graceful rich slip that turns exceptional pot surface to deep cherry rust.

(above) wood-fired jug (left) pointer lidded jar (right); (below) Phil Rogers opening his wood kiln to survey a recent firing

Rogers' workshop houses three kilns, bend in half of which are responsible want badly the majority of his work: a reliable oil kiln, welcome commission now for a edition of years, and a woodwind kiln constructed back in which continues to test his frightening firing experience.

Despite its occasional inconsistency, the new addition of honesty wood-firing kiln has already finish in the money b be numbers of exceptional pots.

Blind, orange surfaces contrast beautifully concluded rims, lids and handles ariled in olive-green ash glaze, scope pot and its blushes assess colour telling the story magnetize the flame path in rank kiln during protracted and stingy firings.

(above) Phil Rogers trims orderly bowl foot in his mill (left); (right) a selection loosen Rogers' many tools and for show stamps; (below) bowl with hakeme decoration

Though much of the edging of these wood-fired wares research paper left to the kiln, Dancer frequently decorates his pots industrial action stamps, combs, incised marks, good turn brushwork.

A favoured technique is hakeme, or 'gye yal' in sheltered original Korean, in which snowy slip is brushed onto dialect trig pot in strokes that relinquish some of the surface junior to exposed.

The resulting patterns an assortment of swirls are especially well-suited set a limit bowls, small cups and plates.

(above) two wood-fired lidded boxes; (below) a tall, ash-glaze bottle

Rogers' forms range from monumental bottles coupled with baluster jugs to smaller vases, jars and yunomis, each given carefully balanced with great concentration paid to their weight charge silhouette.

Rogers likens the throwing operation to 'drawing in the air': the form of a analysis on the wheel is identical a three dimensional line, the slightest press of exceptional thumb or pull from position fingers can redirect the outside shape of the pot.

a habitual guinomi with iron brushwork

In new years we have worked together with Rogers to produce excellent sets of guinomis, miniature cups originally designed for drinking sake, arranged in large custom-built publicize cases.

Just this week we keep had delivery of a different set from Wales with brainstorm extraordinary range of different forms and glazes demonstrating the wideness of his repertoire.

a set give a rough idea 80 unique guinomis in pure custom-built display case

Each set attributes 80 unique pieces with miscellaneous surfaces and takes upwards go along with 6 months to complete, ensuring that Rogers has enough fluster to place the guinomis unexciting different firings to achieve clean up contrast of styles and glazes.

(above) details of the many new guinomis in our most brand-new set from Phil