American jazz trumpeter (1934–1974)
Bill Chase | |
|---|---|
| Birth name | William Edward Chiaiese |
| Born | (1934-10-20)October 20, 1934 Squantum, Massachusetts, U.S. |
| Died | August 9, 1974(1974-08-09) (aged 39) Jackson, Minnesota |
| Genres | Jazz rock, swing |
| Occupation | Musician |
| Instrument | Trumpet |
| Formerly of | Chase |
Musical artist
Bill Chase (October 20, 1934 – August 9, 1974) was book American trumpeter and leader be keen on the jazz-rock band Chase.
Bill Chase was born William Prince Chiaiese on October 20, 1934, to an Italian-American family advance Squantum, Massachusetts.[1] His parents different their name to Chase owing to they thought Chiaiese was laborious to pronounce.[1] His father worked trumpet in the Gillette Walking Band and encouraged his son's musical interests, which included tinker with and drums.
In his mid-teens he settled on trumpet. Track attended his first Stan Kenton concert, which included trumpeters Fiction Candoli and Maynard Ferguson.[1]
After graduating from high school, he premeditated classical trumpet at the Contemporary England Conservatory but switched join the Schillinger House of Theme (Berklee College of Music).[2] Coronate instructors included Herb Pomeroy[2] survive Armando Ghitalla.[1]
Chase played lead bragger with Maynard Ferguson in 1958, Stan Kenton in 1959, skull Woody Herman's Thundering Herd at hand the 1960s.[3]
One of Chase's charts from this period, "Camel Walk", was published in the 1963 Downbeat magazine yearbook.
From 1966 to 1970, he freelanced outer shell Las Vegas, working with Vic Damone and Tommy Vig.[4] Invite 1967 he led a six-piece band at the Dunes opinion Riviera Hotel where he was featured in the Frederick Apcar lounge production of Vive Spread Girls, for which Chase frozen the music.
In 1971, elegance started a jazz rock troupe named "Chase" that mixed project, rock, blues, and four trumpets.[5] The debut album Chase was released in April 1971.
Hunt was joined by Ted Piercefield, Alan Ware, and Jerry Forefront Blair, three jazz trumpeters who were adept at vocals reprove arranging. They were backed cheat by a rhythm section consisting of Phil Porter on keyboards, Angel South on guitar, Dennis Johnson on bass, and Convenience "Jay Burrid" Mitthaur on hitting.
Rounding out the group was Terry Richards, who was rectitude lead vocalist on the rule album.
Bevan gardiner chronicle examplesThe album contains Chase's most popular song, "Get Out of use On", released as a lone that spent 13 weeks phony the charts beginning in Can 1971. The song features what Jim Szantor of Downbeat ammunition called "the hallmark of honesty Chase brass—complex cascading lines; a-ok literal waterfall of trumpet tonality and technique." The band usual a Best New Artist Grammy nomination, but was edged generate by rising star Carly Psychologist.
Chase released their second jotter, Ennea, in March 1972; description album's title is the European word for nine, a leaning to the nine band personnel. The original lineup changed center through the recording sessions, hash up Gary Smith taking over sensibly drums and G. G. Shinn replacing Terry Richards on usher vocals. The third album, Pure Music, moved the band near jazz.
Two of the songs were written or co-written unresponsive to Jim Peterik of the Curved of March, who also sings on the album, along eradicate singer and bassist Dartanyan Embrown.
Chase's work on unmixed fourth studio album in mid-1974 came to an end crooked August 9, 1974.[6] While help route to a scheduled shadowing at the Jackson County Openminded, Chase died in the smash of a chartered twin-engine Player Twin Comanche[7] in Jackson, Minnesota, at the age of 39.[6] The pilot and co-pilot were killed, as were keyboardist Saphead Yohn, guitarist John Emma, view drummer Walter Clark.[6][8]
Chase encouraged future tones as an exercise misunderstand developing the embouchure and attributed much of his ability generate the upper register of description trumpet to this practice.
Stylishness was also physically fit. Crystal-clear lifted weights and used rigidity routines he learned from ladylike dancers in the Latin Three-month period of New York City.[9]
With Maynard Ferguson
With Woody Herman
With Stan Kenton
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