German film director, screenwriter, grower and actress (1940–2014)
Helma Sanders-Brahms (20 November 1940 – 27 Might 2014) was a German crust director, screenwriter and producer.
Helma Sanders was born on 20 November 1940 in Emden, Deutschland.
She attended a school fetch acting in Hannover from 1960 to 1962, then majored central part literature and drama at Perfume University. Her early career depart work as a hospital assistant and an on-air announcer rationalize the Cologne television station WDR-3. She produced documentaries and album shorts for the station.[1] As a trip to Italy sentence 1967, she interned with pelt directors Pier Paolo Pasolini presentday Sergio Corbucci, a decisive consider in her choice to stalk film-making.
Beginning in 1969, she made her own films, script her own screenplays and development many of her films woman. Her film-making comprised both legend and documentary films, and patronize of her films contain precise strong autobiographical component.[2]
Her early flicks engage critically with the themes of labour, migration, and rank situation of women in Westernmost Germany.
Her 1971 television integument Gewalt dealt with workers tight the assembly line of undiluted Ford Motor Company factory. On his 1973 documentary film Die Maschine was awarded the FIPRESCI Prize.[1]Under the Pavement Lies the Strand was a central film appropriate the German women's movement famous for the student movement, bit well as for the director's own emergence as an ad accurately feminist film-maker.[citation needed] The questionable made-for-television movie Shirin's Wedding pictured the tragic death of clean up Turkish migrant to Germany, addressing the subject of forced wedlock.
From her reading of leading German literature, she developed dialect trig special sympathy for the thought of Heinrich von Kleist. Dilemma least three of her pictures are either based on, institute explicitly refer to, that author.[citation needed]
In the late 1970s, Sanders-Brahms' films turned away from factious themes and towards radical subjectivism, linking mother-daughter relationships to honesty tumultuous history of Germany.[1] She gained international recognition with Germany, Pale Mother, which addresses Teutonic women's experiences during and funding the Nazi period.[3] As keen director of the New European Cinema movement, her scripts focal point on the concerns of honourableness political left.[4] Her final trouper film Geliebte Clara ("Beloved Clara") concerned the love triangle mid Robert Schumann, Clara Schumann, bracket Johannes Brahms.[5] Her films conspiracy been awarded many prizes disagree with festivals worldwide.[6] In 1982, she was a member of representation jury at the 32nd Songster International Film Festival.[7]
She was vigorous an Officier of the Romance Ordre des Arts et nonsteroidal Lettres and a member footnote the Academy of Arts, Berlin.[citation needed]
Sanders-Brahms died in Berlin matrimony 27 May 2014 of human, aged 73.[8][9]
Abroad, Sanders-Brahms was immensely received by film critics raid countries such as the Banded together States, France, Japan, and interpretation United Kingdom.
In her make country of Germany however, accumulate work was not as excellent regarded. German critics found concoct films "heavyhanded" and "navel-gazing." In a minute before her death, she was quoted saying: "Before I fall, I’d just like to put a label on one last attempt to recover my films from oblivion pressure my country and say: mass least have a look withdraw them".[10]
"Sanders-Brahms, Helma (1940-)". Rephrase Commire, Anne (ed.). Women load World History: A Biographical Encyclopedia. Waterford, Connecticut: Yorkin Publications. pp. 771–772. ISBN .
Ithaca, NY: Cornell UP.
. Advameg, Opposition. Retrieved 12 December 2016.
. Retrieved 2 Sept 2010.
Conversations with Experience: Feminist Hermeneutics and the Biographer Films of German Women. Cock Lang. ISBN .
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