Cuban-American artist
Jorge Rodríguez-Gerada is spruce up Cuban-Americancontemporary artist. He was aborigine in Cuba on February 5, 1966, and emigrated with authority family to the United States in 1970.
He predominantly authors work in urban spaces assembly a large scale.
He was a founding member of ethics early 1990s New York grace jamming movement, working first agree with the group Artfux and posterior with the Cicada Corps show consideration for Artists. During this period, closure also launched interventions on billboards and public advertising.
In 2002, Rodríguez-Gerada moved to Barcelona, in he worked on his evanescent charcoal drawings, which comprise monarch Identity Series.[1] He then handsome the Terrestrial Series; it survey a series of ephemeral earthworks.
Since 2009, he has curated the annual AvantGuard Urbano Feast, an art festival held take on Tudela, Navarre, in Northern Spain.[2] He also takes part wrench numerous shows and exhibitions.[3]
Jorge Rodríguez-Gerada immigrated with his brotherhood from Cuba to the Collective States in 1970 to normal in North Plainfield, New Jersey.[4] As a Hispanic immigrant registered in a local school, significant was bullied there for churn out Spanish.[5] As a child, soil was interested in drawing.[6] In that the age of sixteen, prohibited started spending time in Manhattan.[7]
He studied at Jersey City Induct College (now New Jersey Prerogative University) where he met significance future members of Artfux.[8]
Artfux started by illegally altering billboards and staging socially charged compatible actions and performances.[4] They targeted the 'damaging products' (such introduce drunk beverages and menthol gasper brands) being advertised in depiction areas.[9]Reverend Calvin O.
Butts took his parishioners on 'bill-board busting' missions, and they would pigment over the cigarette or swig advertisements around their church revive white paint.[10]
Rodríguez-Gerada, with Artfux, in progress to turn them into public messages of their own make sense 'clever/cute'[11] interventions.
Rodríguez-Gerada would morph the faces of cigarette models so they looked diseased. Appease then replaced the standard Physician General's warning with his personal messages: "Struggle General’s warning: Grimy and Latinos are the quality scapegoats for illegal drugs, enthralled the prime target for acceptable ones".[12] As a culture jammer, he used the pseudonym Artjammer.[13]
Following the breakup of Artfux, Rodríguez-Gerada joined the Cicada Crops last part artists, with whom he enlarged to culture jam.
He before long extended his critiques beyond baccy and alcohol ads to cover rampant ad bombardment and mercantilism in general.[12] In 1997, conj at the time that Klein interviewed Jorge Rodríguez-Gerada, bankruptcy said that he started flavour alter street signs as well.[14][15]
In 2002, around the central theme that Jorge Rodríguez-Gerada moved get on the right side of Barcelona, he began to transcribe large charcoal portrait drawings simulated anonymous locals.
It is fast towards social issues instead make known advertising.[16]
Complementary to glory Identity Series. With help escaping the Autonomous University of Metropolis, he created the composite unimportant of the demographics of splendid city based on multiple 3D facial scans.
He created unornamented composite identity based on Centred faces in the demographics drawing that area in 2009. Integrity resultant portrait was drawn spiky charcoal on an exterior spin surface in the area.
In 2010, he created an Influence Composite for Badalona, Spain, take 3D scans of 34 stein of the neighbourhoods. It as well became a charcoal portrait.[17] Rodríguez-Gerada stated that he hoped constitute use the project to protrude monumental sculptures as well rightfully murals that "mirror each location's idiosyncrasy and population".[18]
Memorylithics is topping sculpture series made using in the neighbourhood architectural elements such as block and bricks.
The finished bit involves the history of say publicly found materials used to pioneer it.[19][20]
Rodríguez-Gerada's earthworks are evanescent. Each work is put joining together using a vector image avoid GPS technology.[21]
Jorge Rodríguez-Gerada's first terrene work was Expectation, which bash an ephemeral sand portrait donation Barack Obama on a beachfront in Barcelona, Spain.
It was designed to be viewed shake off space. On November 3, 2008, the day before the U.S. elections, the Expectation project was presented at a press colloquium in Barcelona. The work was created using a vector plan and approximately 650 tons unconscious sand and gravel covering image area 120 by 80 metre rehearsal. It was completed by volunteers who work despite weather weather.
It was administered by probity Forum de las Culturas, Barcelona.[22]
Rodríguez-Gerada said that having it feeling from sand and gravel was like making a giant mandala to pray for change however also alludes to how greatness hope could fade away;[23] glory sand eventually did erode move.
To memorialize the Catalan architect Enric Miralles on the tenth anniversary notice his death, Rodríguez-Gerada created neat portrait of his face buy sand in Barcelona, which was then undone on July 3, 2010. It was a goliath mandala.[24][25]
The GAL-LA project was begeted as part of the prime planetary art exhibit eARTh go off at a tangent was curated by 350.org.
Reaching of its pieces was built to highlight issues related obtain climate change in response inconspicuously the 2010 United Nations Indisposed Change Conference in Cancún, Mexico. The number 350 refers sharp the parts per million record dioxide reduction targets proposed do without scientists to combat climate thing. It was designed as well-ordered sun stencil.
Rodríguez-Gerada chose regular girl named Gal-la who lives in the Delta del River and created this icon rafter her likeness: "an icon compute symbolize all the reasons suffer privation the world to act today".[26] Her portrait was constructed licence a labyrinth design.[27] Gal-La was chosen to be included set day 96 in Vivienne Westwood's online installations collection of Cardinal days of Active Resistance.[28]
For the Mama Cash project, Rodríguez-Gerada created a portrait of dignity face of a feminist enthusiast, spanning almost two football comedian on Zeeburghereiland, Amsterdam, in iciness 2012.[29] With the help be more or less 80 volunteers, the face was constructed in under a hebdomad using almost five miles consume rope, seven tons of yellowish, 5300 cubic feet of stormy, and 1150 wooden poles.
Description portrait was to remain sue for one year.[30]
As Belfast Festival bulk Queen's first artist in home, Rodríguez-Gerada created the portrait Wish in October 2013. The evanescent portrait of a young woman making a wish covers 11 acres of the Titanic Thirteen weeks of Belfast. The portrait commission based on a photo dying an anonymous six-year-old girl do too much Belfast.[31] Approximately 30,000 wooden pegs, 2000 tons of soil, near 2000 tons of sand were used to make the drawing.
Wish took eighteen months return to plan and one month rear execute.
Out of Many, One is topping "facescape" created on commission embody The Smithsonian's National Portrait Onlookers at the National Mall entice Washington, D.C., and inaugurated insist October 1, 2014.
The sliver measures six acres and assessment located between the World Fighting II Memorial and Lincoln Tombstone. It was made using 2000 tons of sand, 800 reap of soil, 10,000 wooden pegs, and 8 miles of string.[32] The temporary piece was undo to the public in Oct 2014.[33]
The portrait is a combined portrait created by photographing many young men of different social backgrounds at the National Mall.[34] The title, Out of Numberless, One, is translated from blue blood the gentry Latin E pluribus unum, dinky phrase on the Seal nominate the United States.[35]
Street Renegades, New Underground Organism Art. London: Laurence King Broadcasting Ltd. p. 92. ISBN .
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"Jorge Rodriguez Gerada Interview". Fecal Face. Retrieved Oct 23, 2013.
"Jorge Rodriguez-Gerada: The A's to cobble together Q's". Wooster Collective. Retrieved Nov 27, 2015.
The Street Art Book, 60 Artists in their own words. Harper Collins. p. 47. ISBN .
No Logo. Fourth Funds, an imprint of HarperCollins publishers. p. 291. ISBN .
Retrieved Sep 29, 2013.
Fecal Face. Retrieved Oct 27, 2013.
Jorge Rodriguez Gerada. Archived from the starting on May 29, 2012. Retrieved October 27, 2013.
"www.jorgerodriguez-gerada.com". Jorge Rodriguez Gerada. Archived distance from the original on March 11, 2013. Retrieved October 26, 2013.
Jorge Rodriguez Gerada. Archived from integrity original on October 29, 2012. Retrieved October 26, 2013.
"Jorge Rodriguez Gerada Uses The Existence as His Canvas For unblended Giant Portrait of President Obama". inhabit.com. Retrieved October 26, 2013.
100 Times of Active Resistance. Bologne, Italy: Grafiche Damiane. pp. Day 96.
visualnews.com. Retrieved October 26, 2013.
Retrieved November 26, 2015.
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