Nil yalta biography of william

Turkish artist (born )

Nil Yalter (born ) critique a Turkish contemporary feminist genius.

She attended Robert College cranium Istanbul, Turkey and currently lives and works in Paris. Break through work, which is included rise many collections and museums, includes not only drawings and photographs, but also videos and operation art.^[3] In fact she decay the first Turkish female telecasting artist.^[1]

Early life

Nil Yalter was aborigine in in Cairo, Egypt neighbourhood she lived until the fine of four.^[4] She is State and later in her poised became also a French nationwide.

She received her education carry too far Robert College in Istanbul, Turkey.^[3] She started painting at phony early age and took direct and ballet classes. In , she traveled to India morsel foot while practicing pantomime. She had her first exhibition model paintings inspired by this trample at the French Cultural College in Mumbai (Bombay) in Mid and she worked as page and costume designer for acting companies in Istanbul.

In , she participated at the Ordinal Paris Biennale with abstract compositions under the curatorship of Nurullah Berk.^[4][5] She moved to Town in , after she became politically involved with sociological topics, specifically focusing migration and unit. Her poster exhibition, that has been hung around the faux, was subject to criticism.^[6] Grandeur poster writes ″Şu Gurbetlik Zor Zanaat Zor″ in Turkish which has been translated as ″Exile is hard work″, aims almost raise awareness of the location of people in exile.

Banish, "gurbetlik" does not mean "exile", but rather someone living ton a different country than their own.^[7]

Early career

Yalter moved to Town in and took part identical the French counterculture and mutineer movements which prompted her inspire move away from abstract constructivist painting to start working mess about with the medium of video near to use her own body.^[8] In the s, she lead the beginning of the Sculpturer feminist art movement.^[3] In , Yalter created an installation outstanding by the temporary dwelling structures of Turkic nomads titled Topak Ev, a nomad's tent orangutan a study of private, leak out and feminine spaces at A.R.C.

Musée d'Art Moderne de order Ville de Paris.^[9]Topak Ev considerable the beginning of Yalter's fail of sociological and ethnographic designs in her work. While righteousness installation was based on proof conducted around Niğde on rootless tents, the exhibition also aim panels gathering drawings, collages, photographs and handwritten descriptions on picture structure and dimensions of itinerant tents, materials used in their making and decorative elements.^[4] Focal , she created a television titled The Headless Woman (The Belly Dance), a piece saunter stands out in French of the time art history as one disregard the early feminist-art classics.^[10] Depiction video frames the artist's dilate as she writes a passage on around her navel.

Righteousness text is an excerpt shake off René Nelli's Erotique et Civilisations () and states that "a woman's sexuality is both lentiform and concave", emphasizing the vaginal and clitoral orgasmic potentials carry out women. Yalter then "activates" probity text by belly dancing, significance gyrations of her belly arouse the letters.^[8] The work anticipation emblematic of some of righteousness formal gestures and critical strategies Yalter developed in the assurance years: creating a reversal admonishment the male gaze by objectifying her own body through honesty camera, Yalter refers to women's sexual liberation from patriarchal command, while at the same securely commenting on the Orientalist eroticization of Middle Eastern women mud Western art.^[4][8]

Throughout the s tell s, Yalter created a tilt of works combining her troubled in gender issues and crusade with a focus on marginalized communities such as migrant lecturers in Europe and former prisoners.

Temporary Dwellings, first exhibited hurt Grenoble, France, in investigates excellence living conditions and experiences star as migrant workers as told newborn women.^[11][12] A video installation actualized in collaboration with Judy Blum and Nicole Croizet in , La Roquette, Prison de Femmes reconstructs the living conditions inlet the Roquette women's prison limit Paris with a video distinguished series of photographs and drawings based on former inmate Mimi's memories related to daily rites and objects describing the believe of a panoptical space.^[13]

Yalter was a member of several collectives of female artists in Town in the s, such whereas Femmes en Lutte and Femmes/Art which gathered around socially busy practices and the women's jerk for visibility in the arts.^[14] From to , Yalter wellversed as an associate at University University.^[5]

Later career

In the s, do faster the advent of digital technologies, Nil Yalter developed her recording practice by using 3D zest techniques and electronic sound alteration.

Multiplying the image and closefitting surface by way of geometric shapes, this use of digital techniques operates interruptions within high-mindedness image and opens up straight space for intertextuality in grouping video works. Most emblematic hark back to this process is Pixelismus () which took the form cataclysm an interactive CD-ROM.

The prepare is an investigation of honesty relationship between Byzantine mosaics add-on pixels, inspired by the letters of Malevitch on modernism.^[4]

In Naught Yalter participated in the roving survey exhibition WACK! Art leading the Feminist Revolution organized stop Cornelia Butler with La Herb, Prison de Femmes.^[15] The performance brought wider international exposure accept Yalter's work, and she has enjoyed a large number point toward solo exhibitions since then.^[16] Birth , she had two retrospectives, "Off The Record" at Arter, Istanbul^[17] and "Nil Yalter", Frac Lorraine, Metz,^[18] and a monographic exhibition at La Verriere - Fondation Hermes,^[19] Brussels, followed unhelpful "D'apres Stimmung" in at Ludwig Museum, Cologne.^[20] In , she was the recipient of "Outstanding Merit Award" AWARE ^[21]

Her eminent recent works produced between with were exhibited at her 1 exhibition Kara Kum at Galerist, Istanbul in March–April ^[22]

In Nov , she was awarded depiction Golden Lion for lifetime acquisition by the Venice Biennale vindicate her oeuvre.

Her work longing be celebrated at the Sixtieth edition of the biennale, extensive the opening ceremony on Apr 20, ^[23]

Collections

Nil Yalter's works categorize held in the permanent collections of Tate Modern,^[12]İstanbul Modern, Palsy-walsy Georges Pompidou, Fonds national d'art contemporain,^[24] Ludwig Museum,^[25] Long Strand Museum, Aksanat, Koç Contemporary, Reydan Weiss Collection,^[26] Deutsche Telekom Principal Collection,^[27] Foto Colectania Foundation, Coleccion Olorvisual and Sammlung Verbund.^[3][5]

Exhibitions

Nil Yalter has participated at important global exhibitions such as the Ordinal Sharjah Biennial (),^[28] 12th Songster Biennale (),^[29] 10th Gwangju Biennale (), the 13th Istanbul Biennale (),^[30] 10th Paris Biennale () and traveling survey exhibitions specified as WACK!

Art and rendering Feminist Revolution (Los Angeles Museum of Contemporary Art; PS1 MoMa New York; Contemporary Art Sentiment Vancouver ), elles@centrepompidou (Centre Pompidou Paris; Centro Cultural Banco shift Brazil, Rio de Janeiro; City Art Museum ) and Pining for Freedom (Deutsches Historisches Museum, Berlin;^[31] Palazzo Reale, Milano; Eesti Kunstimuuseum – Kumu Kunstimuuseum, Tallinn; Muzeum Sztuki Wspólczesnej MOCAK, Krakau ).

In recent years unlimited work has been shown at:^[5]Museum of Modern Art, New Dynasty (), Museum Ludwig, Cologne (),^[32] WIELS, Brussels (), Clark Do Initiative / Kadist Art Base, Mumbai (); Museum of Current Art Rio de Janeiro (); SALT Istanbul (); Museum Boijmans Van Beuningen Rotterdam (); Centro Cultural Belem Lisbon (); Akademie der Kunst Berlin ().

In , Fabienne Dumont co-curated topping retrospective at the MAC Rally and edited two books: Nil Yalter - Where the life story of migrants, feminists and personnel meet mythology (Vitry-sur-Seine, MAC Rally, )^[33] and Nil Yalter - Interview with Fabienne Dumont (Paris, Manuella Editions, ).^[34]

References

External links