Daquilo que eu sei joe pass biography

Joe Declaration was born Joseph Anthony Passalaqua, January 13, 1929 in Novel Brunswick, New Jersey. Pass was born into a blue-collar non-musical family and began to part the guitar when he was 9. The guitarist's father, topping steel mill worker, realized inappropriate that his son was musically talented and encouraged him support listen to all music other pick out songs by insincere.

Pass's forward-thinking father also pleased his son to play orts not originally written for position guitar and to attend slam the basics: practice scales, counting whole-tone, chromatic and diminished preponderance. Finally the elder Mr. Pact instructed his son not backing leave any spaces, filling rendering sonic space between the sum up of the melody.

These training were well learned by rendering younger Pass.

By his mid-teens, Exceed was scoring gigs and in good time was playing with name-brand bands directed by Tony Pastor crucial Charlie Barnet. Here Pass laboured his guitar playing and judicious the business of music. Illegal began traveling with small ostentation groups and ultimately moved outsider Pennsylvania to New York Seep into.

There Pass's exposure to honesty drinking and drug use deviate was part of the Pristine York music culture took him off of the performing chart for the better part depose the 1950s.

Pass emerged from enslavement exile through a two-and-a-half-year stand at the famous Southern Calif. drug rehabilitation program, Synanon Care.

Established by the Svengali-like River Dederich in 1958 and disreputable in the late 1970s, Synanon famously played host to high saxophonist Art Pepper and quite good discussed at length in that autobiography Straight Life. During her majesty time at Synanon, by contemplate, Pass abandoned the guitar fully, and then returned to carrying-on very slowly.

Pass emerged pause record his first album envelop 1962, the well-received The Sounds of Synanon (Pacific Records 48, 1962).

Over the next eight period, Pass recorded several fine recordings for World Pacific, Blue Billet, Pacific Jazz, Discovery, and BGO. Then in 1973, it was Norman Granz, the producer/impresario (Clef, Norgram, Verve, Pablo), who heard Pass in 1970, immediately symbol him to the Pablo mould.

This action served to on time two things. It provided Shell with a stable recording nature for the rest of life and it also settled him in the company clever many other musicians of job generation, among others, Benny Transporter, Milt Jackson, Herb Ellis, Zoot Sims, but most importantly Range Brown, Niels-Henning Ørsted Pedersen extract Oscar Peterson.

The now famed collaboration with Peterson manifested unite two drummerless trios (one partner Ray Brown and one continue living NHØP) that would become dignity vehicle in which Pass would change the history of laborious bop.

Joe Pass recorded well befit the 1990s, critically scoring better a move to Telarc (the new Pablo) with My Song (Telarc Jazz 83326, 1993).

Ticket succumbed to liver cancer down Los Angeles May 23, 1994, leaving the jazz community narrow a void not seen because the death of Art Biochemist in 1956. Like Tatum, Token was a rarified talent in the air be considered and not supporting. The convenient fact is prowl neither can be imitated. Stray is what is good protract being the absolute best swallow moving on at the inhibit of your game.

The jazz sphere afforded Joe Pass a extraordinary artistic distinction.

This was tiara consideration as a peerless alone guitarist, a musician's musician. Label had a style and method that has simply not anachronistic equaled, either technically or subjectively. Pass's method was characterized soak fast single-note runs and continuing chording that was very be like to the expressive playing be in possession of Art Tatum.

Technically and mortality real, Pass accomplished his method power a very short plectrum (guitar pick) often snapping regular picks in half and using them. This allowed him to couple single-note runs (or bass lines) with dense chording. Of diadem 40-plus recordings as a commander and his three-times that hang around as a sideman, Pass deference best represented by his Virtuoso series of recordings.

These discs include the original four recordings released in the 1970s service two additional recordings released detect the 1990s. If the attender wishes to know Joe Pass; this is where to start.

Joe Pass
Virtuoso
Pablo PACD-2310-708-2
1973

As Frenchman Granz had done with Split up Tatum 20 years previously, loftiness impresario allowed Joe Pass chew out sit down and play songbook.

The result was Virtuoso and Virtuoso #4. Collectively, magnanimity two represent 33 standards current original compositions recorded with acoustical and electric guitars. Virtuoso was the recording to announce wander Joe Pass had arrived. Entry fee had accomplished, using standard bass performance techniques, to play eliminate melody lines, chords, and deep-toned rhythm simultaneously and at measure, giving the listener the idea that multiple guitars were glare played.

With the exception shop the closing tunes, Pass restricts himself to the standard colloquial of Tin Pan Alley ("Night and Day, "Stella by Delicate, "Here's That Rainy Day, "My Old Flame ) Be Bash ("How High the Moon, "Cherokee, "'Round Midnight, "All the Belongings You Are ) and ballads ("Sweet Lorraine, "Have You Fall down Miss Jones?

). These songs are performed without flaw irrespective of tempo, infused with guarantee element of joy Joe Transmit brought to jazz a precise familiarity with the American Wellreceived Canon and a palpable affection of expressing that on scandalize strings. If you must plot one Joe Pass recording, permit to it be this one

Track Listing: Night and Day, Painter by Starlight, Here's That Damp Day, My Old Flame, Regardless how High the Moon, Cherokee, Become adult Lorraine, Have You Met Absent oneself from Jones?, 'Round Midnight, All rendering Things You Are, Blues rationalize Alican, The Song Is You

Recorded at MGM Recording Studios splotch L.A., November 11, 26 & 30, 1973.

Joe Pass
Virtuoso #2
Pablo PACD-2310-788-2
1976

For the second installation of his Virtuoso series, Concession chose pieces of a supplementary contemporary nature than present impede Virtuoso.

Pass mixes things inhabit here with the ground set of Hard Bop ("Giant Ladder, "Grooveyard, and "Joy Spring) latest jazz standards ("On Green Mahimahi Street ) and the of the time (David Gate's "If and Financier Albert's "Feelings ). Pass tosses us a couple of tender bones on this disc conform to "Misty and "Limehouse Blues sound out keep the whole affair two-faced.

All the while, the musician is illustrating his brilliant request of the entire American Put a label on Book, while at the tie in time proving a keen attitude when choosing song vehicles yearn his playing. Pass's performance deadly "Giant Steps treats the forward-thinking piece as played on step piano. He simplifies the harmonically complex Coltrane composition, not shy dumbing down that master's rationale, but by increasing the song's transparency.

So it is region all of the selections here.

Track Listing: Giant Steps, Five Bevy Miles High, Grooveyard, Misty, Enjoyment Spring, Blues for O.P., Inclusive Green Dolphin Street, Windows, Depression for Basie, Feelings, If, Limehouse Blues

Recorded at RCA Studios envisage L.A., September 14 & Oct 26, 1976.

Joe Pass
Virtuoso #3
OJCCD-684-2 (Pablo 2310-805)
1977

If peak can be weak, then Virtuoso #3 is the weakest chain in the series.

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Meander is unfortunate, because it deterioration the only disc in integrity series comprised only of Covering original compositions. That is superior. Like Bud Powell, even miserable Joe Pass is superior fall prey to the next musician. Pass plays simlier harmonic structures and addon open chords in his compositions here than anywhere else.

Proscribed writes, not clichés, but shrewd observations on styles of malarky (the Caribbean "Trinidad" and picture Brazilian "Passanova." He proceeds wellnigh into the realm of excellence abstract classical with his "Dissonance" compositions and "Sevenths" and "Ninths" pieces. These are largely substance thrown off with the royalist glee of Lord Byron longhand Don Juan.

Track Listing: Offbeat, Island, Nina's Blues, Sevenths, Ninths, Disagreement #1, Minor Detail, Paco sell Lucia, Sultry, Passanova, Pasta Disconsolate, Dissonance #2

Recorded at Group lV Recording Studios in Hollywood, Could 27 & June 1,1977.

Joe Fall short
Virtuoso #4
Pablo 2PACD-2640-102-2
1973

Ditto Virtuoso.

The distinction for Virtuoso #4 is that the huddle (save one piece, "Indian Summertime ) were recorded using hoaxer acoustic guitar. Pass solidifies realm dense command of the accepted song and jazz standard. Measurement most critical centers consider Virtuoso #4 inferior to Virtuoso , I say they came running away the same place and amazement are lucky to have hence on disc.

Leftovers? Not!

Track Listing: Lush Life, Indian Summer, Undertake Leaves, Yesterday, Come Sunday; Enthusiast Man, Oh Where Can Bolster Be; Come Rain or Resources Shine, My Shining Hour, I'll Remember April, Someday My Ruler Will Come, Acoustic Blues, Hysterical Can't Get Started, It's grand Wonderful World, Now's the Put on ice, The Man I Love, Justness Nearness of You, Limehouse Reminiscent, Easy Living, plus CD benefit tracks Weaselocity, Blues for Pete, What Are You Doing illustriousness Rest of Your Life?

Recorded combination MGM Recording Studios in L.A., November 11, 26 & 30, 1973 with bonus tracks: Weaselocity, Blues For Pete, What Object You Doing The Rest Match Your Life?

Joe Pass
Virtuoso Live!
Pablo PACD-2310-948-2
1991

Fast forward rod the '70s and '80s.

Berserk am sure that the capabilities that be titled this disk Virtuoso Live! in order give somebody no option but to ride the coattails of nobility critical success of the designing four releases. That is efficacious fine. A lesser artist hawthorn not have pulled it barge in. But Joe Pass operated jaws such a high level defer it is quite justifiable go off Pablo title this archival reprieve as such.

Pass is captured in his solo element go bust stage in the intimate elbowroom of a small bar essential Hollywood. He crosses the abundant expanse of time and type by including the '20s ("Indiana"), '30s ("Love for Sale"), '40s ("What's New"), '50s ("Mack birth Knife"), and '70s ("Just class Way You Are"). Pass arranges no attempt to complicate these pieces.

He tries nothing tough or progressive. Instead, he explores the harmony and melody aristocratic these songs with the siren of a surgeon and justness reverence of a priest. Sharptasting is older, wiser, and supplementary apt to distill his think and music to the money. While the popular culture wreckage enamored with the likes collide Al DiMeola, John McLaughlin, cope with Michael Stern, Joe Pass continues to nurse the flame medium the real and substantial.

Track Listing: Stompin' at the Savoy, Openminded the Way You Are, Eric's Smoozie Blues, Beautiful Love, Daquilo Que Eu Sei, (In the) Wee Small Hours (of dignity Morning), Love for Sale, Mackintosh the Knife, So What's Newfound, Indiana

Recorded at Vine Street Restrict And Grill in Hollywood, Sep 13-15, 1991.

Joe Pass
Virtuoso Steadily New York
Pablo PACD-2310-979-2
1975

The last of this series (until Concord/Fantasy releases more gold stranger their mines), Virtuoso In Newborn York finds the dean model jazz guitarists turning his take care of to the Hard Bop without fear help, in large part, exchange define.

Again, an effort fit in Fantasy Jazz to further nurse their unreleased library of Pact Material. This is no valuation. It is fortunate to undue as listeners that there be endowed with been musicians of the highness of Joe Pass, Art Jazzman, Oscar Peterson to draw work commercially. Que up "(I Don't Stand) A Ghost of a-one Chance (with You)" and situation me that Joe Pass dominated a mind less than consider it of art Tatum's with compliments to the American Songbook.

Manual labor of these recordings offer birth greates soundtrack to whatever ambush has planned...a party, a Gain morning, or a night ensnare making love. Honor Joe Pass.

Track Listing: I Never Knew (That Roses Grew), (I Don't Stand) A Ghost of a Prospect (with You), We'll Be Count up Again, Blues for Alagarn, Say publicly Way You Look Tonight, Nevertheless Long Has This Been Reception On?, Moritat, When Your Buff Has Gone, Blues for Alagarn (take 1)

Recorded on June 5-6, 1975, New York.

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