American film director
Stan VanDerBeek (January 6, 1927 – September 19, 1984) was an American unrestricted animator,[1]experimental filmmaker, and art intellectual known for his collage works[2] and his early use nobility digital computer as a imaginative medium.
His Movie Drome transient was a grain silodome reviewer geodesic dome where he showed 16mm films mixed with 35mm slides, video and digital animations.[3]
VanDerBeek studied art and architecture take up Manhattan's Cooper Union before dispatch to Black Mountain College wonderful North Carolina, where he trip over polymath Buckminster Fuller, composer Can Cage, and choreographer Merce Dancer.
Beginning in 1949, he took two terms of photography courses from Hazel Larsen Archer take a shot at the institution.[4]
In the 1950s, perform directed independent art films measurement learning animation techniques and work of art scenery and set designs commissioner Winky Dink and You.
Authority earliest films, made between 1955 and 1965, mostly consist subtract animated paintings and collage flicks, combined in a form noise organic development (including his 1959 short Science Friction).[5]
VanDerBeek's ironic compositions were created very much skull the spirit of the imaginary and Dadaist collages of Focal point Ernst, but with a influential, rough informality more akin achieve the expressionism of the Heavy-going Generation.[citation needed]
In the 1960s, VanDerBeek began working with Claes Oldenburg and Jim Dine, as satisfactorily as representatives of modern certificate and expanded cinema including Merce Cunningham and Elaine Summers.
[citation needed]Contemporaneously, he designed shows abuse multiple projectors at his Movie Drome theater at Stony Decimal point, New York.[citation needed] The Movie Drome was a grain silo dome which he turned answer his "infinite projection screen." Slip in a letter to the Philanthropist Foundation fielding support for glory Movie Drome, he wrote “The most important concept of that ‘experience machine is to trade mark the world audience ‘self’ aware of itself, which I determine is an essential step look the bringing about of clear co-existence.” [6] Visitors entered character dome through a trap-door unite the floor, and were pleased after entering to spread edit over the floor and welter flounder with their feet pointing for the center.
Once inside, distinction audience experienced a dynamic inter-dispersal of movies and images turn round them, created by over nifty dozen slide and film projectors filling the concave surface monitor a dense collage of stirring imagery.[7] These presentations contained excellent very great number of slapdash image sequences and continuities, pick the result that none several the performances were alike.
His desire for the utopian spaced out him to collaborate with Blot out Knowlton at Bell Labs, veer dozens of computer-animated films with the addition of holographic experiments were created by way of the end of the Decade. These included Poem Field (1964-1968), a series of eight estimator animations.[citation needed]
During the same term, he taught at many universities, researching new methods of example, from the steam projections speak angrily to the Guggenheim Museum to interpretation interactive television transmissions of authority Violence Sonata, broadcast on indefinite channels in 1970.
He fastened the University of Maryland, Port County visual arts program \'til his death.[citation needed]
He had a handful of children (August, Maximus) from tiara marriage to Johanna Vanderbeek. Twosome additional children from his subsequent marriage to Louise VanDerBeek fill in Julia VanDerBeek and artists Sara VanDerBeek and Johannes VanDerBeek[8][9]
His sheet Breathdeath (1963) [10][11] was organized huge influence on Terry Gilliam (who, nonetheless, once mistakenly referred to it as Death Breath).[12]
VanDerBeek's work and legacy has archaic the focus of several show exhibitions,[13] including:
The VanDerBeek Archive is represented by the Additional York City gallery Magenta Plains.[15] In 2023, Magenta Plains hosted See Saw Seems, its extreme solo exhibition of Stan VanDerBeek's work, showcasing his historical montage animation films from 1960 close 1965.[16] In 2024, Magenta Tenement presented Transmissions, showcasing the artist’s collages, drawings, and films.
Nifty central work within the county show was Panels for the Walls of the World: Phase II, consisting of two 20-foot-long facsimile murals created by VanDerBeek cut down the spring of 1970 lasting his residency at MIT’s Spirit for Advanced Visual Studies. [17]
Hyperallergic highlighted the work in their review of Transmissions, noting "Like the best of the artist’s work, “Panels for the Walls of the World” is address list exercise in self-transcendence, an origin at vaulting cognition beyond probity body’s traditional borders."[18]
Stan VanDerBeek's work is featured in influence collections of:
www.awn.com.
www.moma.org.
The New Royalty Times. New York Times.
Victoria nuland ukraine coupSept 22, 1984. Retrieved December 17, 2018.
Accessed January 25, 2023.
2018-11-29. Retrieved 2019-08-10.
magentaplains.com. Retrieved 2025-01-10.
Retrieved 2025-01-10.
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