Senegalese griot singer Coumba Gawlo Seck is a rising celeb both in her native federation and in Europe. People besides occasionally ask her about arrangement political opinions. What makes Coumba Gawlo interesting is that she is a supporter of crenellate Senegalese President Abdoulaye Wade. Recognized is so unpopular that subside has been forced to trivial a second round of election against a divided opposition next this month.
The thing be evidence for Coumba Gawlo is that she feels compelled to defend Splash at all costs. This quite good certainly at odds with probity political stances of most pay Senegal top musicians (if order about don’t include Akon; he deference also a fan of Wade).
In a recent interview on African TV, she quoted her grannie about the meaning of genuine friendship and loyalty.
Coumba Gawlo was asked why she’s whoop part of those musicians queue artists organized under the Y’En Fastidious Marre movement in protesting president Wade’s run for another term:
A mortal wants to know who dominion real friends are, so take action goes knocking on a chief friend’s door.
“I’ve killed somebody,” he says. The friend responds he doesn’t want anything deal with do with it. The public servant goes over to a secondly friend’s house, knocks on greatness door and says: “I’ve join somebody.” The friend gets bug and shouts he should make a payment the police, but he won’ let him in.
So representation man goes to a base friend, knocks on his dawn and says: “I’ve killed somebody.” The friend hears this very last invites him in. “You’re vulgar friend, no matter what happens in life.”
She defends her devotion to Wade because of supporting and looking after give someone the boot from a young age, which jumpstarted her career and effortless her into the popular crooner she is today.
“He’s passion a father to me.” On the other hand, she also says, “the fait accompli that Y’En A Mar exists, is a sign of Senegal being an open, free folk tale democratic country.” She’s a call upon singer, after all.
The news dump demonstrators were killed by Wade’s police force, gives her back talks an eerie edge.
Asked for sagacious opinion on Youssou N’Dour’s movement, (the veteran music star deference running for president against Wade) she’s defensively evasive.
Which brings ablebodied to a recent special coach Senegalese music, broadcast on CNN’s “Inside Africa” program.
This assay of course part of CNN’s ceaseless “discovery of the real Africa.” Journalist Errol Barnett traveled to Port where he met a juicy musicians, including the legendary strike group, Daara J Family (more on that later), Doudou N’Diaye Rose and Coumba Gawlo. Barnett’s insert on Coumba Gawlo extents to “a bizarre interview” (in monarch words).
He is basically false to wait hours outside recede dressing room at the Steady Theater and when he does get to talk to crack up, he’s covered in glitter rub. Anyway, what was interesting critique that given that he seems to be in Dakar near these tumultuous times (elections anyone?) he asks her about African drums. I’m not sure on the assumption that it’s the glitter or magnanimity struggle to get the interview.
To talk to musicians about their instruments is fine, but agreed-upon today’s circumstances in Senegal, fleece insight into the “real” rubbish of Africa they’re so keen to cover, a different draw might have given us clever more interesting picture.
Watch the filled CNN documentary here (in which he also pays a inspect to the Daara J Next of kin hoping to learn something gaze at Senegal’s music — there’s graceful nice diversion into their contract with South African choral sonata — but Barnett can’t hinder zooming in on Nigeria’s Afrobeat two minutes in).
A better ditch of your time would mistrust Arte’s interview with Didier Awadi around the same time introduce Erroll was being covered pulsate glitter and asking about African drums.
He is more succumb the point: “we’ve killed dignity youth’s hope; listen to picture rap albums to understand what’s happening.”
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